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Music-Dance

Sound and motion in contemporary discourse
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Medienkennzeichen: SKH
Jahr: 2017
Verlag: London and New York, Routledge Taylor & Francis
Reihe: Musical Cultures of the Twentieth Century
Mediengruppe: E-Book
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Inhalt

Music-Dance explores the identity of choreomusical work, its complex authorship and its modes of reception as well as the cognitive processes involved in the reception of dance performance. Scholars of dance and music analyse the ways in which a musical score changes its prescriptive status when it becomes part of a choreographic project, the encounter between sound and motion on stage, and the intersection of listening and seeing. As well as being of interest to musicologists and choreologists considering issues such as notation, multimedia and the analysis of performance, this volume will appeal to scholars interested in applied research in the fields of cognition and neuroscience. The line-up of authors comprises representative figures of today's choreomusicology, dance historians, scholars of twentieth-century composition and specialists in cognitive science and performance studies.

Details

Suche nach diesem Verfasser
Medienkennzeichen: SKH
Jahr: 2017
Verlag: London and New York, Routledge Taylor & Francis
Enthaltene Werke: "Introduction: Choreomusicology between interdisciplinarity and complexity" -- "PART I The choreomusical work: Towards a theoretical foundation" - 1 Identifying a ??choreomusical research, 2 Choreomusicology beyond "??formalism"??: A gestural analysis of Variations for Orchestra (Stravinsky-Balanchine, 1982)" -- "3 Ways of knowing: Social dance, music, and grounded cognition" -, 4 Acts of transformation: Strategies for choreographic intervention in Mark Morris'??s settings of existing music" -- "PART II Musical notation and choreo-graphy" -, 5 Reflecting on time while moving: Dance notations from the nineteenth to the twent-first century" -- "6 Is choreography a matter of time or space? For an epistemology of perception through dance notation history", 7 Finding the body in twentieth-century musical notation: On gestures, hypertablatures?, and performing without instruments" -- "PART III Blending music and dance: Challenges and negotiations", "8 Experimental relations between music and dance since the 1950s: Sketch of a typology" -- "9 When the composer'??s artistic aims clash with the choreographer'??s autonomy: Sylvano Bussotti, Aurel Milloss, and the ??choreographic mysteryâ?? Raram, "10 Remembering folklore, staging contemporary dance: Conceptual and methodological issues about D'?apres une histoire vraie (2013) by Christian Rizzo" -- "PART IV Sentient bodies", 11 Empathic entanglements: Music, motion, dance" -- "12 Motormimetic features in musical experience" -- "13 Hearing touch and the art of kinaesthetic crossmodality", 14 Aesthetics, neuroaesthetics and embodiment: Theorising performance and technology
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ISBN: 978-1-351-98674-8
2. ISBN: 978-1-138-28051-9
Beschreibung: 1st ed, 1 Online-Ressource (264 pages)
Reihe: Musical Cultures of the Twentieth Century
Schlagwörter: Tanz; Music / Philosophy and aesthetics; Dance / Philosophy; Choreographie; Musik; Philosophie; zeitgenössische Kunst; Bewegung; Notation; Kognition
Beteiligte Personen: Suche nach dieser Beteiligten Person Vinay, Gianfranco (Herausgeber); Veroli, Patrizia (Herausgeber)
Sprache: Englisch
Mediengruppe: E-Book