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This title collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work and embodiment as a negotiation of power dynamics, it addresses the politics and poetics of the moving body in performance on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theatre and this volume situates this interest in its historical context by investigating other such moments from pagan mimes of late antiquity to contemporary flash mobs and television dance contests.