Disabled theater

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Disabled theater

Statement of Responsibility: Ed. by Sandra Umathum and Benjamin Wihstutz

Medium identifier: SKH

Year: 2015

Publisher: Zürich, diaphanes

Buch

available

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Locations	Status	Reservations	Due date	Lending note
Locations: Ie Dis	Status: available	Reservations: 0	Due date:	Lending note:

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Statement of Responsibility: Ed. by Sandra Umathum and Benjamin Wihstutz

Medium identifier: SKH

Year: 2015

Publisher: Zürich, diaphanes

Works included: What difference does it make? - Disabled Theater in the context of Jéromes Bel's work / by Gerald Siegmund , The difference between death and disability / by Yvonne Rainer , Yes, now, It's good theater / by André Lepecki

Classification: Ie, Hx

ISBN: 978-3-03734-524-5

ISBN (2nd): 3-03734-524-1

Description: 245 S. : Ill.

Tags: Behinderung; Actors with disabilities; Performance; Bel, Jérôme; Body; Theatergruppen; Theatre Studies; Performing Arts; PHILOSOPHY / Aesthetics ; bisacsh; Identity; Tanztheater; People with disabilities and the performing arts; Disabilities

Participating parties: Umathum, Sandra; Wihstutz, Benjamin

Language: Englisch

Footnote: Summary: Jérôme Bel’s Disabled Theater, a dance piece featuring eleven actors with cognitive disabilities from Zurich's Theater HORA, has polarized audiences worldwide. Some have celebrated the performance as an outstanding exploration of presence and representation; others have criticized it as a contemporary freak show. This impassioned reception provokes important questions about the role of people with cognitive disabilities within theater and dance—and within society writ large. Using Disabled Theater as the basis for a broad, interdisciplinary discussion of performance and disability, this volume explores the intersections of politics and aesthetics, inclusion and exclusion, and identity and empowerment. Can the stage serve as a place of emancipation for people with disabilities? To what extent are performers with disabilities able to challenge and subvert the rules of society? What would a performance look like without an ideology of ability?

Media group: Buch