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The aesthetics of imperfection in music and the arts

spontaneity, flaws and the unfinished
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Statement of Responsibility: edited by Andy Hamilton and Lara Pearson
Year: 2021
Publisher: London, Bloomsbury Academic
Media group: Buch
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Content

"The aesthetics of imperfection emphasises spontaneity, disruption, process and energy over formal perfection and is often ignored by many commentators or seen only in improvisation. This comprehensive collection is the first time imperfection has been explored across all kinds of musical performance, whether improvisation or interpretation of compositions. Covering music, visual art, dance, comedy, architecture and design, it addresses the meaning, experience, and value of improvisation and spontaneous creation across different artistic media. A distinctive feature of the volume is that it brings together contributions from theoreticians and practitioners, presenting a wider range of perspectives on the issues involved. Contributors look at performance and practice across Western and non-Western musical, artistic and craft forms. Composers and non-performing artists offer a perspective on what is 'imperfect' or improvisatory within their work, contributing further dimensions to the discourse. The Aesthetics of Imperfection in Music and the Arts features 39 chapters organised into eight sections and written by a diverse group of scholars and performers. They consider divergent definitions of aesthetics, employing both 18th-century philosophy and more recent socially and historically situated conceptions making this an essential, up-to-date resource for anyone working on either side of the perfection-imperfection debate"--

Details

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Statement of Responsibility: edited by Andy Hamilton and Lara Pearson
Year: 2021
Publisher: London, Bloomsbury Academic
Works included: SECTION 1: THE POSITIVE VALUE OF IMPERFECTION: The Aesthetics of Imperfection: The Finished Work, and Process Versus Product, Andy Hamilton - 2. Taking Aim at Imperfection , David Lloyd - 3. The Aesthetics of Imperfection, John Tilbury, SECTION 2: SOCIAL AND CULTURAL CONTEXT: 7. A Socially Situated Approach to Aesthetics: Games and Challenges in Karnatak Music, Lara Pearson8. A Social Aesthetics of Imperfection: Spontaneity and Meaning in Pop on the Streets of China, Samuel Horlor, SECTION 3: COMPOSITION V. IMPROVISATION: 11. The Inter-Dependence of Composition and Improvisation, Rohan De Saram - 12. Improvising Beyond Hamilton’s Aesthetics of Imperfection, Louise Gibbs, SECTION 4: INTERPRETATION AND FREEDOM: 17. Embracing Serendipity in Classical Performance, Stephanie Cant - 18. That is Not Freedom, That is Taking License: The Pitfalls in Performing Morton Feldman's Graph Scores, SECTION 5: RISK, DISRUPTION AND FAILURE: 20. Live Coding and Failure, Shelly Knotts - 21. The Aesthetics of Failure, Claire Zakiewicz - 22. The Mistake as Material, Corey Mwamba, SECTION 6: COLLABORATION IN PERFORMANCE: 28. Imperfect Unity and Productive Frictions: Ethics and Aesthetics of Play in Dance Improvisation, Annie Kloppenberg, SECTION 7: THE INSTRUMENTAL IMPULSE: 32. The Instrumental Impulse: Developing a Free Improvisation Vocabulary for Alternative Keyboard Instruments, Adam Fairhall, SECTION 8: FINISHED AND UNFINISHED WORK37. Architecture of Imperfection: Unfinished Sketches and Burke's Sublime, Elizabeth Baldwin Gray
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Classification: Search for this systematic Ee
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ISBN: 9781350106055
Description: xv, 399 Seiten, Illustrationen, graphische Darstellungen
Tags: Imperfection; Aufsatzsammlung; Music / Philosophy and aesthetics; Music / Performance; Improvisation (Music) / Philosophy; Creation (Literary, artistic, etc.)
Participating parties: Search for this character Hamilton, Andy (editor); Pearson, Lara (editor)
Language: Englisch
Type of Content: Aufsatzsammlung
Footnote: Includes bibliographical references and index
Media group: Buch