Print Permalink
1 of 1
Cover von Performance phenomenology opens in new tab

Performance phenomenology

to the thing itself
Search for this author
Statement of Responsibility: Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner (editors)
Medium identifier: SKH
Year: 2019
Publisher: Cham, Palgrave Macmillan
Series: Performance Philosophy
Media group: Buch
available

Copies

LocationsStatusReservationsDue dateLending note
Locations: He Per Status: available Reservations: 0 Due date: Lending note:

Content

This collection of essays addresses emergent trends in the meeting of the disciplines of phenomenology and performance. It brings together major scholars in the field, dealing with phenomenological approaches to dance, theatre, performance, embodiment, audience, and everyday performance of self. It argues that despite the wide variety of philosophical, ontological, epistemological, historical and methodological differences across the field of phenomenology, certain tendencies and impulses are required for an investigation to stand as truly phenomenological. These include: description of experience; a move towards fundamental conditions or underlying essences; and an examination of taken-for-granted presuppositions. The book is aimed at scholars and practitioners of performance looking to deepen their understanding of phenomenological concepts and methods, and philosophers concerned with issues of embodiment, performativity and enaction

Details

Search for this author
Statement of Responsibility: Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner (editors)
Medium identifier: SKH
Year: 2019
Publisher: Cham, Palgrave Macmillan
Works included: 1. Introduction; Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner -- 2. The Essential Question: So what's phenomenological about Performance Phenomenology?; Stuart Grant --, 3. Phenomenological Methodology and Aesthetic Experience: Essential Clarifications and Their Implications; Maxine Sheets-Johnstone -- 4. The unnamed origin of the performative in Heidegger's interpretation of Aristotelian Phrone?sis; Stuart Grant, 5. A Phenomenology of Being Seen; Sondra Fraleigh -- 6. 'A unique way of being': The place of music in Merleau-Ponty's Phenomenology of Perception; Marc Duby --, 7. Foregrounding the imagination: re-reflecting on dancers' engagement with video self-recordings; Shantel Ehrenberg -- 8. Sensing Film Performance; Sean Redmond --, 9. Phenomenologically absurd, absurdly phenomenological; Jodie McNeilly-Renaudie and Pierre-Jean Renaudie -- 10. On Not Being Able to Dance: The Interring; Robert P. Crease.-11. Performance Criticism: Live writing as phenomenological poie?sis; Dia, 12. The Erotic Reduction: Crossed flesh in Lea Anderson's The Featherstonehaughs Draw on the Sketchbooks of Egon Schiele; Nigel Stewart -- 13. Sound Design: A Phenomenology; Christopher Wenn --, 14. Acting without 'meaning' or 'motivation': A first-person account of acting in the pre-articulate world of immediate lived/living experience; Phillip B. Zarrilli -- 15. Thinking with Performance; Ian Maxwell.
opens in new tab
Classification: Search for this systematic He, Ie
Search for this subject type
ISBN: 978-3-319-98058-4
Series: Performance Philosophy
Tags: Phenomenology; Theatre and Performance Studies; Theater / Philosophy; Performing arts / Philosophy
Participating parties: Search for this character Grant, Stuart (editor); McNeilly-Renaudie, Jodie (editor); Wagner, Matthew (editor)
Language: Englisch
Type of Content: Aufsatzsammlung
Media group: Buch