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Cover -- Half Title -- Series Information -- Copyright Page -- Dedication -- Table of contents -- Illustrations -- Contributors -- Acknowledgements -- 1 Introduction: Dance, modernism, and modernity -- References -- 2 Dance and modernism: A historiographical consideration -- Dance history, historiography, and modern dance -- 'To the quality of ubiquity I make no claim': writers on dance in the early years of the twentieth century -- 'At the turning point of the new dance': writers, critics and dancers writing dance history, 1920-1930 -- 'I personally prefer the historians': critics and dancers on dance history in the 1930s -- 'Then and now': modernism and modernity in dance histories of the 1940s -- Historiographical process in the first half of the twentieth century -- Notes -- References -- 3 Dancing and modernism: Natural dancing and modernity -- Introduction -- Dancers and writers -- Being natural and being modern -- Dance, nature, and science -- Notes -- References -- 4 Dance and modernism: Transnational currents -- National and international discourses of dance and modernism -- Exotic dance and transnational flows -- Notes -- References -- 5 Wassily Kandinsky, dance, and interdisciplinary modernism 1908-1914 -- Introduction -- Kandinsky's ideas and practice, and his Munich years -- Kandinsky and dance -- Interdisciplinarity and collaboration -- Abstraction, spirituality and dance -- The Yellow Sound: a stage composition -- Conclusion: dance of the future -- Notes -- References -- 6 Breaking into the modernist world: Akarova and Margaret Morris -- Morris and Akarova, brief biographies -- Modern dance and Greek antiquity -- The Margaret Morris Club and London modernists -- Akarova and the Belgian avant-garde -- Morris's and Akarova's choreography -- Conclusion -- Notes -- References.