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Tänzerische Perspektiven im Film der 1920er-Jahre

die Bedeutung des Kinos für die AusdruckstänzerInnen Mary Wigman, Rudolf von Laban und Valeska Gert und die Wechselwirkung zwischen dem modernen Tanz und einer filmischen Avantgarde

Author: Fischer-Behrend, Amrei

Medium identifier: SAS

Year: 2017

Parent work: Der Tanz und das Kino

Unselbst. Lit.

OPEN V 11.1.0.0

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Tänzerische Perspektiven im Film der 1920er-Jahre

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Tänzerische Perspektiven im Film der 1920er-Jahre