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Theory for theatre studies

movement
Author: Search for this author Fensham, Rachel (author)
Statement of Responsibility: Rachel Fensham
Medium identifier: SKI
Year: 2021
Publisher: London ; New York ; Oxford ; New Delhi ; Sydney, methuen drama
Series: Theory for theatre studies
Media group: Buch
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Content

How do we define movement in performance? Who or what is being moved and how? And which movements are felt, observed, or studied, in theatre? Part of the Theory for Theatre Studies series which introduces core theoretical concepts that underpin the discipline, Movement provides the first overview of relevant critical theory for students and researchers in theatre and performance studies. Exploring areas such as vitality, plasticity, gesture, effort and rhythm, it opens up the study of theatrical production, live art, and intercultural performance to socio-political conceptions of movement as both practice and concept. It covers movement training systems and considers how they have been utilized in key works of the 20th and 21st centuries. The final section traces the convergence of movement in theatre with other media and digital technologies. A wide range of in-depth case studies helps to equip readers to explore new methodologies and approaches to movement as a performance concept. These include analysis of Satoshi Miyagi's production of Sophocles' Antigone (2017), Thomas Ostermeier's production of Ibsen's Hedda Gabler (2008), the Berliner Ensemble's Mother Courage (1949), The Constant Prince (1965) performed by Ryzsard Cieslak, and the National Theatre's production of War Horse (2007). The final section considers a suite of concepts that shape postdramatic and intermedial theatre from China, Germany-Bangladesh, Australia, the United States, and United Kingdom. The volume is supported by further online resources including video material, questions, and exercises.

Details

Author: Search for this author Fensham, Rachel (author)
Statement of Responsibility: Rachel Fensham
Medium identifier: SKI
Year: 2021
Publisher: London ; New York ; Oxford ; New Delhi ; Sydney, methuen drama
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Classification: Search for this systematic Ie, He
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ISBN: 978-1-350-02637-7
ISBN (2nd): 978-1-350-02636-0
Description: x, 191 Seiten
Series: Theory for theatre studies
Tags: Case studies; Movement, Aesthetics of; Case study; Movement (Acting); Dance; Performing arts; Theatre / Research
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Language: Englisch
Footnote: Includes bibliographical references and index
Media group: Buch