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Summary: Drawing on his experience in the field of contemporary dance, Jeroen Peeters discusses principles, methods and practices that contribute to an understanding of dramaturgy as an experimental, collaborative practice and a material form of thinking.

   Written from practice, this book reflects a particular history of collaboration and conversation with dance-makers such as Martin Nachbar, Meg Stuart, Vera Mantero, Sabina Holzer, Lisa Nelson, Jennifer Lacey, Chrysa Parkinson, deufert + plischke, Eleanor Bauer, Philipp Gehmacher and many others.

   Phantasmal archaeology, unfolding material, literal and physical reading, crafting method, articulating process, witnessing and performing not-knowing, naming and ritual destruction, conceptual landscapes, symbolic waste, internal fictions and foreign objects – they may all play a role in creation and in exploring the unfamiliar in pursuit of making sense.

   And then it got legs is an invitation to think along or against, to discuss those ideas with others or explore them in the studio, and eventually to imagine and devise one’s own methods of research, observation, reflection and creation.