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The Oxford handbook of dance and theater

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Statement of Responsibility: edited by Nadine George-Graves
Medium identifier: SKH
Year: 2017
Publisher: New York, Oxford University Press
Series: The Oxford Handbooks series
Media group: Buch
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The Oxford Handbook of Dance and Theater collects a critical mass of border-crossing scholarship on the intersections of dance and theatre. Taking corporeality as an idea that unites the work of dance and theater scholars and artists, and embodiment as a negotiation of power dynamics with important stakes, these essays focus on the politics and poetics of the moving body in performance both on and off stage. Contemporary stage performances have sparked global interest in new experiments between dance and theater, and this volume situates this interest in its historical context by extensively investigating other such moments: from pagan mimes of late antiquity to early modern archives to Bolshevik Russia to post-Sandinista Nicaragua to Chinese opera on the international stage, to contemporary flash mobs and television dance contests. Ideologically, the essays investigate critical race theory, affect theory, cognitive science, historiography, dance dramaturgy, spatiality, gender, somatics, ritual, and biopolitics among other modes of inquiry. In terms of aesthetics, they examine many genres such as musical theater, contemporary dance, improvisation, experimental theater, television, African total theater, modern dance, new Indian dance theater aesthetics, philanthroproductions, Butoh, carnival, equestrian performance, tanztheater, Korean Talchum, Nazi Movement Choirs, Lindy Hop, Bomba, Caroline Masques, political demonstrations, and Hip Hop. The volume includes innovative essays from both young and seasoned scholars and scholar/practitioners who are working at the cutting edges of their fields. The handbook brings together essays that offer new insight into well-studied areas, challenge current knowledge, attend to neglected practices or moments in time, and that identify emergent themes. The overall result is a better understanding of the roles of dance and theater in the performative production of meaning.

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Statement of Responsibility: edited by Nadine George-Graves
Medium identifier: SKH
Year: 2017
Publisher: New York, Oxford University Press
Works included: Introduction01. Nadine George-Graves: Magnetic Fields: Too Dance for Theater, Too Theater for DanceSection I: In Theory/In Practice 02. Ann Cooper Albright, Split Intimacies: Corporeality in Contemporary Theater and Dance, Dance03. Anita Gonzalez, Negotiating Theatrics: Dialogues of the Working Man04. VK Preston, "How do I touch this text?": Or, The Interdisciplines Between: Dance and Theatre in Early Modern Archives05. Ray Miller, Dance Dramaturgy, Dramaturgy06. Vida L. Midgelow, Some Fleshy Thinking: Improvisation, experience, perceptionSection II: Genus (part 1)07. Maiya Murphy, Fleshing Out: Physical Theater, Postmodern Dance, and Som[e]agency08. Stacy Wolf and Liza Gennaro, Dance in Music, Theatre09. Colleen Dunagan, Dance and Theater: Looking at Television's Deployment of Theatricality Through Dance10. Susan Leigh Foster, Why Not 'Improv Everywhere'?Section III: Genus (part 2), 11. Royd Climenhaga, A Theater of Bodily Presence: Pina Bausch and Tanztheater Wuppertal12. Praise Zenenga, The Total Theater Aesthetic Paradigm in African Theater, 13. Jane Baldwin, Jean Gascon's Theatricalist Approach to Moliere and Shakespeare14. Marianne McDonald, Dancing Drama: Ancient Greek Theatre in Modern Shoes and ShowsSection IV: Historiographical Presence and Absence, 15. Ketu H. Katrak, The Post Natyam Collective: Innovating Indian Dance and Theatre, Abhinaya and Multimedia16. Odai Johnson, Dancing for Dionysus in the Year of Years, Years17. Erika T. Lin, A Witch in the Morris: Hobbyhorse Tricks and Early Modern Erotic Transformations18. Esther Kim Lee, Designed Bodies: A Historiographical Study of Costume Design and Asian American Theatre, Theatre19. Ann Dils, Moving American History: An Examination of Works by Ken Burns and Bill T JonesSection V: Place, Space and Landscape20. Amy Strahler Holzapfel, Landscape Between Dance and Theatre: Meredith Monk, The Wooster Group, and The TEAM
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ISBN: 978-0-19-069807-2
Description: First issued as an Oxford University Press paperback, XXVI, 1021 Seiten : Illustrationen, Diagramme
Series: The Oxford Handbooks series
Tags: Tanz; Dance / Handbooks, manuals, etc.; Performing arts; Performance; Aufsatzsammlung; Theater / Handbooks, manuals, etc; Theater; PERFORMING ARTS / Dance / General; Essay
Participating parties: Search for this character George-Graves, Nadine (editor)
Language: Englisch
Type of Content: Aufsatzsammlung
Media group: Buch